Credits
Storying the Archive contains images and excerpts of items held in the Fryer Library collection and used with permission. Copyright attributions are in the order the items appear in the book. Some valuable works held in Fryer Library could be regarded as ‘orphan works’: still protected by copyright, but the copyright holder is unknown or unlocatable.
Orphan works
Staff of the Fryer Library may be required to investigate the copyright status of manuscript material held in the Fryer Library. In these cases they will make and document genuine search attempts to find the rightsholder/s whose permission is required for publication purposes. Any search-related documents/correspondence will be saved in the University of Queensland’s Records Management system. Any orphan works rightsholder who may later come forward can request access to these records by contacting the Fryer Library.
List of credits
Chapter 1 Decolonising the archives
- Fryer Library stacks. Photograph by Andrew Yeo
- Fryer Library collections. Photograph by Andrew Yeo
Chapter 2 How lucky am I?
- Oodgeroo Noonuccal’s notebooks. Photographs and photomontage by Andrew Yeo
- Simon Farley and Herb Wharton in the Fryer Library. Copyright University of Queensland.
- Mission Stations, 1936 photo albums 1. Preservation photograph by Andrew Yeo
- Fryer Library Reading Room. Photograph by Andrew Yeo
Chapter 3 Storyteller to storyteller
- ‘Kevin Gilbert’s essay’ and Fryer Library in the background. Photographs and photomontage by Andrew Yeo
- ‘Kevin Gilbert’s essay’. Photograph by Andrew Yeo
Chapter 4 Francis
- ‘Francis’ in Record of Visit, Mission Stations, 1936 – Part 1. Preservation photograph and photomontage by Andrew Yeo
Chapter 5 Hands of Goanka
- ‘Hands of Goanka’ in Record of Visit, Mission Stations, 1936 – Part 1. Preservation photo and photomontage by Andrew Yeo
Chapter 6 Research is no holiday
- Record of Visit, Mission Stations, 1936 – Part 1. Photograph by Andrew Yeo
- ‘Mission House’ in Record of Visit, Mission Stations, 1936 – Part 1. Preservation photo and photomontage by Andrew Yeo
- ‘Boys Dormitory’ in Record of Visit, Mission Stations, 1936 – Part 1. Preservation photo and photomontage by Andrew Yeo
Chapter 7 From the Caroline Kelly collection
- ‘Bijera’ in the Caroline Kelly Papers. Preservation photograph by Andrew Yeo
Chapter 8 OPAL
- Cover of OPAL, July 1968. Photograph by Andrew Yeo
- Cover of OPAL, September 1966. Photograph by Andrew Yeo
- Cover of OPAL, June/July 1973. Photograph by Andrew Yeo
- Cover of OPAL, September/October 1972. Photograph by Andrew Yeo
- ‘The President Speaks’ in OPAL, 1973. Photograph by Andrew Yeo
Chapter 9 Neville Bonner scrapbooks
- Senator Neville Bonner in 1979, Commonwealth of Australia (National Archives of Australia), CC BY 3.0 AU, via Wikimedia Commons
- Neville Bonner’s scrapbook. Photograph by Andrew Yeo
- Portrait of Marc Barnbaum by Compadre Picture Co. Copyright University of Queensland
Chapter 10 Pressing for change
- Neville Bonner’s scrapbook. Photograph by Andrew Yeo
- Headlines from articles in Neville Bonner’s scrapbook. Photographs and photomontage by Andrew Yeo
Chapter 11 Dear Jackie
- Uni job for historian by Nance Haxton. Text © NewsCorp Australia. Photograph of Jackie Huggins © The University of Queensland. Preservation photograph by Andrew Yeo
Chapter 12 “Community grown”
- No More Boomerang by Oodgeroo Noonuccal © Jacaranda Press. Preservation photograph by Andrew Yeo
- Aboriginal Women’s Task Force brochure © Commonwealth of Australia. Preservation photograph by Andrew Yeo
- Coolangatta statement © Task Force of the World Indigenous Peoples’ Conference on Education. Preservation photograph by Andrew Yeo
Chapter 13 Radio waves
- ‘Please your binung : tune in 98.9 FM’ © Triple A. Preservation photograph by Andrew Yeo
Chapter 14 Shadows
- ‘Land rights before Games’ © Black Protest Committee. Artwork by Lilla Watson is used with permission. Preservation photograph by Andrew Yeo
Chapter 15 Don’t ever tell
- a preponderance of aboriginal blood 2005 page 1 from limited edition artist’s book – fifteen etchings with chine collé, 42.0 x 30.5 cm © Published by Judy Watson and grahame galleries + editions/numero uno publications. Reproduced courtesy of Judy Watson and Noreen Grahame. Preservation photograph by Andrew Yeo
- a preponderance of aboriginal blood 2005 page 5 from limited edition artist’s book – fifteen etchings with chine collé, 42.0 x 30.5 cm © Published by Judy Watson and grahame galleries + editions/numero uno publications. Reproduced courtesy of Judy Watson and Noreen Grahame. Preservation photograph by Andrew Yeo
Chapter 16 Judy Watson’s ‘a preponderance of aboriginal blood’
- a preponderance of aboriginal blood 2005 page 8 from limited edition artist’s book – fifteen etchings with chine collé, 42.0 x 30.5 cm © Published by Judy Watson and grahame galleries + editions/numero uno publications. Reproduced courtesy of Judy Watson and Noreen Grahame. Preservation photograph by Andrew Yeo
- a preponderance of aboriginal blood 2005 page 9 from limited edition artist’s book – fifteen etchings with chine collé, 42.0 x 30.5 cm © Published by Judy Watson and grahame galleries + editions/numero uno publications. Reproduced courtesy of Judy Watson and Noreen Grahame. Preservation photograph by Andrew Yeo
- a preponderance of aboriginal blood 2005 page 2 from limited edition artist’s book – fifteen etchings with chine collé, 42.0 x 30.5 cm © Published by Judy Watson and grahame galleries + editions/numero uno publications. Reproduced courtesy of Judy Watson and Noreen Grahame. Preservation photograph by Andrew Yeo
Chapter 17 The Wave Hill Walk Off
‘Human rights?’ © Save the Gurindju Committee. Preservation photograph by Andrew Yeo
Chapter 18 The story behind the paintings
- The Rainbow Serpent © Dick Roughsey Goobalathaldin/Copyright Agency, 2024. Photographs and photomontage by Andrew Yeo
- ‘Goorialla watched for a long time then he came out of hiding and was welcomed by his people’ © Dick Roughsey Goobalathaldin/Copyright Agency, 2024. Photographs and photomontage by Andrew Yeo
Chapter 19 Response to Oodgeroo Noonuccal’s poems
- Yusuf (Hijacker) by Oodgeroo Noonuccal © Raymond and Petrina Walker. Preservation photograph by Andrew Yeo
- Commonplace by Oodgeroo Noonuccal © Raymond and Petrina Walker. Preservation photograph by Andrew Yeo
Chapter 20 Reading Oodgeroo
- ‘Kathie’ by Grahame Garner. Licensed under Creative Commons Attribution 3.0 International, via UQ eSpace.
Chapter 21 The Grey Gum’s Story
- The Grey Gum’s Story by Oodgeroo Noonuccal © Raymond and Petrina Walker. Photograph by Andrew Yeo
- Dedication to Raymond Walker in The Grey Gum’s Story © Raymond and Petrina Walker. Photograph by Andrew Yeo
Chapter 22 Growing up on Minjerribah
- ‘Let Us Not Be Bitter’ from My People © Jacaranda Press. Preservation photograph by Andrew Yeo
Chapter 23 Herb Wharton AM
- Queensland Outback Writer’s Safari train map © Queensland Arts Council
- Queensland Outback Writer’s Safari booklet © Queensland Arts Council. Unbranded cover © UQP.
- Inscriptions to Herb Wharton in Tollund © Faber
Chapter 24 Uncle Herb Wharton’s papers in the Fryer Library
Unbranded by Herb Wharton © UQP
Chapter 25 A black and white history
- Fryer Library collections. Preservation photographs and photomontage by Andrew Yeo
- Unbranded by Herb Wharton. © UQP. Used with permission. Photograph by Andrew Yeo
- 7 Disrupted Interviews with History © Peter Lyssiotis
Chapter 26 Ross Watson’s ‘Song of a Rainbow Warrior’
- ‘Song of a Rainbow Warrior’ by Ross Watson © Gaala Watson. Photograph by Andrew Yeo
Chapter 27 Evoking the Black Australian writing archive
- ‘Mogwi-Djan’ brochure © Creative Australia. Preservation photograph by Andrew Yeo
Chapter 28 Follow the Rabbit Proof Fence
- Follow the Rabbit-Proof Fence by Doris Pilkington © UQP. Preservation photograph by Andrew Yeo
Chapter 29 Mapping Too Much Lip
- Character map for Too Much Lip. © Melissa Lucashenko. Preservation photograph by Andrew Yeo
Chapter 30 Aboriginal and Torres Strait Islander writing
- Paperbark: a Collection of Black Australian Writings © UQP. Preservation photograph by Andrew Yeo
Chapter 31 A remnant of my own past
- ‘Memo to Laurie Muller’ in University of Queensland Press Records. Preservation photograph and image editing by Andrew Yeo
